This past fall, Northern Oklahoma College entered into an initial two-year agreement for selected displays of art works with Doctor Pickens Museum, Inc. on the Tonkawa campus. This collection of art, primarily native art, will be on loan and will be installed over four phases.
The Pickens Museum, located in Ponca City, includes Native American Art, turquoise jewelry, art, Indian jewelry, painting and more. Hugh Pickens, Executive Director of the Pickens Museum, stated, “This is an exciting opportunity for us to share our art and culture with the Northern Oklahoma College community.” Pickens is presently in the process of planning the construction of an Art Museum in Northern Oklahoma.
Installation of Phase One of the project is now completed at the library entrance of the Vineyard Library Administration Building. The large center painting is entitled “Fool’s Crow” by artist C. J. Wells. Oil on canvas painting depicting Native American in traditional dress. Wells is a Santa Fe artist and poet of Native Amer i can and His panic Amer i can descent. Her paint ings often reflect her Span ish and Amer i can Indian her itage. Her por traits of Amer i can Indian war riors and children often depict her sub jects with glow ing “yel low eyes” sig ni fy ing tra di tional respect for the “holi ness of the Earth and animals.” As TAOS Mag a zine states, “Well’s paint ings present a fas ci nat ing con trast between the solemn faces of her sub jects and the lush color and detail that surround them. Her images have an abstract, time less qual ity. The war riors are set against dark back grounds or cloudy skies, and their yel low eyes seem to gaze out beyond the viewer. They appear to be lis ten ing to an inner voice or con tem plat ing the past. Each one is an ele gant, aris to cratic pres ence sur rounded by mys tery and drama.”
The painting on the left is entitled “Brother of the Land” and the painting on the right is entitled “Brother of the Moon”, both by artist K. Henderson. Both oil on canvas paintings depicting Native American in traditional dress. Like much of Henderson’s art, her American Indian-inspired paintings reflect the influence of growing up in Oklahoma with part-Cherokee ancestry and a lifelong, intimate connection to material relics from earlier eras. Born and raised ...
